Triple bill of thrillers. In 'Catch .44' (2011) Tes (Malin Åkerman), Kara (Nikki Reed) and Dawn (Deborah Ann Woll) are three women with guns who are working for crime boss Mel (Bruce Willis). When they find themselves the victims in a double-crossing drug deal that turns out to be more of a set-up than a heist gone wrong, they set out to get their revenge. Forest Whitaker and Brad Dourif co-star. 'Switch' (2011) is a French-language thriller in which a woman's attempts to spice up her life through switching apartments goes disastrously wrong. Sophie Malaterre (Karine Vanasse), a Montreal fashion designer, initially enjoys swapping apartments with a French woman she met over the internet, Bénédicte Serteaux (Karina Testa). Sophie's first day in Paris is like a dream - but her second is a nightmare. She is awoken by the police, led by Detective Forgeat (Eric Cantona), who have discovered a dead body in the duplex, and seem unable to distinguish Sophie from Bénédicte... 'Hijacked' (2012) stars Randy Couture, Dominic Purcell and Vinnie Jones. Paul Ross (Couture), a grizzled government agent, has been investigating an influential crime organisation known as The Tribe for a number of years. Just when he begins to feel that he is making progress with the investigation his personal and professional interests interconnect. When a private jet carrying a wealthy businessman and Ross' former fiancée, Olivia (Tiffany Dupont), is hijacked by The Tribe, Ross is the only government agent on the scene. How will he cope?

The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that "AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology." Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.

The ideas and practices related to afrofuturism have existed for most of the 20th century, especially in the north American African diaspora community. After Mark Dery coined the word "afrofuturism" in 1993, Alondra Nelson as a member of an online forum, along with other participants, began to explore the initial terrain and intellectual underpinnings of the concept noting that "AfroFuturism has emerged as a term of convenience to describe analysis, criticism and cultural production that addresses the intersections between race and technology." Afrofuturism 2.0: The Rise of Astroblackness represents a transition from previous ideas related to afrofuturism that were formed in the late 20th century around issues of the digital divide, music and literature. Afrofuturism 2.0 expands and broadens the discussion around the concept to include religion, architecture, communications, visual art, philosophy and reflects its current growth as an emerging global Pan African creative phenomenon.